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Rubin, notorious for his unorthodox production style, pushed the singer beyond her comfort zone, and despite being drawn to his unconventional methods, Adele described working with the producer as daunting.

When they met in Malibu, he attempted to "capture her live show across on [her] record," [16] assembling a team of musicians—including drummer Chris Dave, guitarist Matt Sweeney , James Poyser on piano, and Pino Palladino on bass—to contribute live instrumentation to the recording sessions.

Her singing was so strong and heartbreaking in the studio, it was clear something very special was happening The musicians were inspired as they rarely get to play with the artist present, much less singing Today, most things are recorded as overdubs on track.

This was truly an interactive moment where none of the musicians knew exactly what they were going to play and all were listening so, so, deeply and completely to figure out where they fitted in After recording the album with Rubin, Adele was dissatisfied with many of the songs.

S-only track "I Found a Boy. However, the singer opted to keep the arrangement, stating that the song was personal to her and that she wrote it to "free herself.

I deal with things differently now. I'm more patient Something that comes with age I think. So fittingly this record is called Like a photo album you see [my] progression and change I tried to think of other album titles but couldn't come up with anything that represented the album properly.

Adele, on her meaning behind the title. Adele first intended to title the album Rolling in the Deep , [31] her adaptation of the slang phrase "roll deep," which summarises how she felt about her relationship; in her loose translation, the phrase refers to having someone "that has your back" and always supports you.

She also expressed her enthusiasm at simply learning a new style of music. Although influenced by Adele's interest in country music at the time, 21 remains faithful to the Motown influences of 19 and exhibits both gospel and soul music inflections.

Adele's style on 21 is generally characterised by critics as soul, [8] although some suggest that the album eschews any distinct stylistic epithet.

Larry Flick of SiriusXM called 21 "a pop record with soul leanings," while The Washington Post ' s Allion Stewart commented on the album's eclectic nature: "Everything on [ 21 ] is precisely calibrated to transcend genres, to withstand trends The sequence of the tracks on the deeply autobiographical album correlate to the range of emotions Adele experienced after the break-up, progressing from themes of anger and bitterness, to feelings of loneliness, heartbreak and regret, and finally acceptance.

Reconciling herself with the termination of a contentious relationship, she vows emotional distance to shield herself from future heartbreak.

Bryan Boyd of The Irish Times likened the singer to s Welsh rocker Bonnie Tyler in delivering the vocals with a mixture of anger, pain and pathos.

The Rick Rubin-produced fourth track "Don't You Remember," co-written by Adele and Dan Wilson, marks a shift in the album's theme, from anger and defensiveness to reflection and heartbreak.

A downtempo country music-styled ballad, [14] the song was added late to the production of the album after the singer grew ashamed of her continued negative portrayal of her ex-lover throughout the album.

Although the album predominantly explores the singer's failed relationship, not all songs were geared towards her ex-lover.

The ninth track "One and Only," noted for its gospel-tinged vocals, organ, and choir, [61] was directed at a close friend for whom Adele shared romantic feelings.

The album closes with the "heartbreak adagio " [64] "Someone like You," a soft piano ballad that pairs Adele's vocals with a looping piano melody.

In interviews, the singer described it as the summation of her attitude towards her ex-lover by the end of the album's production.

For the North American release of 21 on 22 February, Columbia Records executives used the "' long tail ' sales theory" [67] to shape its marketing campaign, which, according to Columbia senior VP of marketing Scott Greer, entailed "building a critical mass throughout February in order to reach all those people who bought On 24 January , during the week of the album's UK release, she performed an acoustic set of selected songs from 21 at London's Tabernacle music hall, which was screened live on her personal website.

Adele performed "Someone like You" at the BRIT Awards ceremony, which was well received and resulted in a sales increase for both 19 and The shows received positive reviews, many of which noted the show's understated nature, the singer's vocal performance and her accessible persona.

The cancellation of the North American leg of the tour was due to a vocal haemorrhage on her vocal cords.

The lead single " Rolling in the Deep " was released in November , and peaked the charts in the Netherlands, [72] Germany, [73] Belgium, [74] Italy, and Switzerland.

Released in the UK on 16 January , it peaked at number two. It was the fifth single to be released to US mainstream stations, although it received limited airplay due to an unofficial release.

Even though "I'll Be Waiting" was never released as a single, it charted at No. At Metacritic , which assigns a normalised rating out of to reviews from mainstream publications, the album received an average score of 76, based on 34 reviews.

Where 19 marked the turbulent swan song to a teenage life, 21 introduces the realities of adult life, where grown-up responsibilities collide with heartache and emotional scars run deep.

Sean Fennessey from The Village Voice wrote that the album "has a diva's stride and a diva's purpose. With a touch of sass and lots of grandeur, it's an often magical thing that insists on its importance Matthew Cole from Slant Magazine was less impressed, believing Adele's vocals masked the "blandness" of many of the songs, a fault that he said would have been more apparent had they been performed by a lesser talent.

It has sold over 5. This makes 21 only the seventh album to ever achieve this feat in Australia and the first to do so since Delta Goodrem 's Innocent Eyes.

Its 38 accumulated weeks at the top is the longest in New Zealand chart history. That staggering sum ties the album with Bruce Springsteen 's Born in the U.

As of January , 21 has sold 12 million copies in the United States, becoming the ninth largest-selling album since Nielsen Music started tracking sales in and best selling album of the s decade.

It is the first album by a female artist to reach this milestone and the twelfth overall. The album was nominated for the Barclaycard Mercury Prize.

Christopher Cross attained the feat in with a four-award sweep. At age 23, she is the youngest artist at the time to do this. Metacritic ranked 21 at number two on their list of 's most well-received records, based on inclusions in publications' year-end lists.

Consequence of Sound also named it the fifth best pop album of the s. There are two approaches to the business of being noticed by today's record-buying public.

The first The second Amazingly, given preconceived notions about America's supposed preference for style over substance, it is the second of these two sales techniques which appears to be working better.

With the release of 21 , critics began to tout Adele as the new torchbearer for the British soul music that ascended to the American mainstream via Duffy , Joss Stone , Amy Winehouse and Lily Allen.

Although the initial popularity of these artists in the early s incited the media to declare a "new wave of British invasion ," [] Joseph Viney of Sputnikmusic saw their subsequent absence as an opportunity for Adele to "stake her claim as the UK's leading solo female artist.

Characterising the success of 21 as "almost political and sort of radical," [] Russell stated that the lack of gimmicks in Adele's music undermined the widespread perception that female performers have to conform to specific body-types, or imbue their music with gratuitous sexual imagery, in order attain success.

In September , Adele claimed Guinness World Records for becoming the first female artist to have two singles and two albums in the UK top five simultaneously.

With 21 , Adele became the first female to have three singles simultaneously in the top 10 of the Billboard Hot as a solo artist.

On 14 June , 21 scored its 24th week atop the US album charts, the longest since Prince 's Purple Rain finished a non-consecutive week run in The album is also the longest-running number-one by a UK studio album excluding soundtracks and group acts , [] the longest-running number-one album by a female solo artist ever in the US, [] and the longest-running number-one in the SoundScan era.

Without 21 , the first quarter of would have been down 3. Despite being over a year old, 21 sold more copies in than the best-selling albums of through sold in their respective years.

Due to these successes, Billboard declared Adele the Artist of the Year for the second year in a row, making her the first solo female artist to receive the honour twice.

In February , it was announced that 21 had spent two full years on the Billboard , never charting lower than number 35 on the chart.

This makes 21 the best-selling album of the past 10 years and the fifth best-selling album released since January This marked the album's 81st week in the Top Only two other albums have spent as much time in the Top Born in the U.

In November , 21 crowns the Billboard 's decade-end chart as best selling album of the s. Adapted from AllMusic and 21 ' s liner notes.

From Wikipedia, the free encyclopedia. This is the latest accepted revision , reviewed on 3 July The revenge song "Rolling in the Deep" was conceived only hours after Adele's separation from her ex-lover.

A "dark, bluesy, gospel, disco tune" in the singer's own words, it was written in response to disparaging comments he made towards her during an argument.

A second sample of "Someone Like You" which features spare and understated production. In the song, Adele wishes her former lover happiness on his new relationship and begs him to never forget her.

On "Don't You Remember," the singer implores her ex-lover to overlook her past mistakes and to remember her at her best.

With bluesy guitar riffs and instrumental backing from the banjo and the accordion , the Rick Rubin-produced song is one of the more potent examples of the country music influences that permeate the album.

By singing almost exclusively about a relationship gone wrong, Adele made songs that anyone could identify with It was made for everyone and A second sample of "Set Fire to the Rain", which is written in the key of D minor with a tempo of beats per minute.

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Retrieved 1 August Retrieved 28 October Billboard , Nielsen Soundscan. Retrieved 7 April Archived from the original on 26 February Deluxe Signature does not offer an introductory rate on new purchases.

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